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Artist in Residency, Golden Bridge Pottery, 2007-08

| Thursday, September 11, 2008

The 40 days at Golden Bridge Pottery (GBP), Pondycherry in 2006 inspired me to take a long break from Delhi. I packed my bags in May 2007 and spent almost a year at GBP. During my stay, I experienced many wood firings, including two Anagama.



Lama Vase, Stoneware, fired in Anagama at cone 10, h. 25 x w. 10 inches
Details


Lama Vase, Stoneware, fired in Anagama at cone 10, h. 24 x w. 9 inches
Details
Lama Vase, Stoneware, fired in Anagama at cone 10, h. 25 x w. 10 inches
Lama Vase, Stoneware, fired in Anagama at cone 10, h. 25 x w. 10 inches
Evo Vase, stoneware, fired in Anagama at cone 10, h. 26 x 10 inches
Details
Evo Vase, stoneware, fired in Anagama at cone 10, h. 26 x 10 inches
Details
Evo Vase, stoneware, fired in Anagama at cone 10, h. 26 x 10 inches
Lama Vase, Stoneware, fired in Anagama at cone 10, h. 25 x w. 10 inches
Evo Vase, stoneware, fired in Anagama at cone 10, h. 25 x 10 inches
Evo Vase, stoneware, fired in Anagama at cone 10, h. 25 x 10 inches
Evo Vase, stoneware, fired in Anagama at cone 10, h. 26 x 10 inches
Evo Vase, stoneware, fired in Anagama at cone 10, h. 26 x 10 inches
Evo Vase, stoneware, fired in Anagama at cone 10, h. 18 x 12 inches
Door stopper, stoneware, fired in Anagama at cone 10. h.12 x w10 inches
Door stopper, stoneware, fired in Anagama at cone 10. h.12 x w10 inches
Evo Vase, stoneware, fired in Anagama at cone 10, h. 20 x 10 inches
Evo Vase, stoneware, fired in Anagama at cone 10, h. 20 x 10 inches
Evo Vase, stoneware, fired in Anagama at cone 10, h. 25 x 10 inches
Evo Vase, stoneware, fired in Anagama at cone 10, h. 25 x 10 inches
Evo Vase, stoneware, fired in Anagama at cone 10, h. 25 x 10 inches

2 comments:

Shazieh Gorji said...

i lovee these!!!! so rich warm and gorgoeus!!!

Ishita Adlab said...

wow... mind blowing !!!
u r doin really gr8.. keep it up !!!

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About Me

I was born in Ranchi, Jharkhand. Went to Varanasi in 1994 to study ceramic design at Banaras Hindu University. My practice deals with forms derived from architecture. From the architecture of the place where I grew up to the architecture I come across while traveling in different parts of the world. My works explore different qualities observed in the rural and urban landscape and manipulate them to create forms which relate to one another. I investigate these forms in an abstract manner and manipulate them extensively, leading to a new form of its own. It is important for the forms to relate to one another, to create an environment, and to establish a relationship and a visible contrast between each other, thus encouraging the viewer to take a closer look and investigate further.